Welcome to SIGGRAPH 2022
Ethics of the Review Process
As a reviewer for SIGGRAPH, you have the responsibility to protect the confidentiality of the ideas represented in the submissions you review. Protection of the ideas in the submissions you receive means:
- Do not discuss or show the submission to anyone else, including colleagues or students.
- Do not show supporting assets (for example, video, images, etc.) to non-reviewers.
- Do not use ideas from the submissions you review to develop new ones.
Protect the Submitter
As a SIGGRAPH juror, it is your responsibility to use discretion with the feedback and comments you share in your reviews. Reviewer comments should not be discussed with anyone outside of the program chair or jury meeting, nor should jurors converse about the submission outside of the jury meeting. We request that you refrain from discussing reviews with others in the SIGGRAPH community, as your friends and colleagues may be submitters or have conflicts of interest with the review in question. We also request that if a juror has a conflict of interest, any feedback and/or comments should not be discussed with that juror. If you have any concerns or would like to further discuss comments you made on a submission, please contact the program’s chair.
Avoid Conflicts of Interest
As a reviewer of a SIGGRAPH submission, you have a certain power over the reviewing process. It is important for you to avoid any conflict of interest. Even though you would, of course, act impartially on any submission, there should be absolutely no question about the impartiality of your review. Thus, if you are assigned a submission where your review would create a possible conflict of interest, you should return the submission and not submit a review.
Conflicts of interest include (but are not limited to) situations in which:
- You work at the same company or institution as one of the submitters.
- You have been directly involved in the work and will be receiving credit in some way. For example, if you are a current or former member of the team that developed the project, or a member of the author’s thesis committee, and the submission is about his or her thesis work, then you are involved.
- You suspect that others might see a conflict of interest in your involvement. For example, even though Walt Disney Animation Studios and Pixar Animation Studios are two separate studios, there is likely to be a perception that they are “both Disney,” so folks from one should not review submissions from the other.
- Similarly, even though Walt Disney Animation Studios and Walt Disney Imagineering are two separate entities operating in related but different areas of SIGGRAPH-related industries, there is likely to be a perception that they are “both Disney,” so folks from one should not review submissions from the other.
- You have collaborated with one of the contributors in the past three years (more or less). Collaboration is usually defined as having worked on a specific project or having worked at the contributor company in that time period, although you should use your judgment.
- You were the MFA/MS/PhD advisor of one of the submitters or the MFA/MS/PhD advisee of one of the submitters. Funding agencies typically consider advisees/advisors to represent a lifetime conflict of interest. SIGGRAPH has traditionally been more flexible than this, but you should think carefully before reviewing a submission you know to be written by a former advisee/advisor.
But if you recognize the work or the contributor and feel it could present a conflict of interest, send the submission back to the Conference Administration as soon as possible so he or she can find someone else to review it.
We have a responsibility to be serious in the reviewing process. You should make an effort to do a good review. This is obvious. But one of the complaints we have heard about the SIGGRAPH review process is that some reviews can be so sketchy that it looks like the reviewer did not even seem to take the time to read the submission carefully. A casual or flippant review of a submission that the contributor has seriously submitted is not appropriate. In the long run, casual reviewing is a most damaging attack on the SIGGRAPH conference. There is no dishonor in being too busy to do a good review, or to realize that you have over-committed yourself and cannot review all the submissions you agreed to review. But it is a big mistake to take on too much, and then not back out early enough to allow recovery. If you cannot do a decent job, give the submission back and say so. But please, do it early so that the senior reviewer has time to select another reviewer before the deadline.
Belittling or sarcastic comments may help display one’s wit, but they are unnecessary in the reviewing process. Be objective and constructive in your reviews. The most valuable comments in a review are those that help the contributor understand the shortcomings of their work and how they might improve it. If you intensely dislike a submission, give it a low score. That makes a sufficient statement.
Adherence to ethics makes the whole reviewing process more complicated and sometimes less efficient. But convenience, efficiency, and expediency are not good reasons to contravene ethics. It is precisely at those times when it would be easier or more efficient to bend the rules that it is most important to do the right thing. Ultimately, spending that energy and time is an investment in the long-term health of the conference and the community.