Dr. Gabriela Aceves Sepúlveda is an artist and Associate Professor in the School of Interactive Arts and Technology where she directs the interdisciplinary research and media creation studio cMAS (critical MediArtStudio). In cMAS students produce work that interrogates how old and new technologies have and continue to shape our sense of self and the environment through a theoretical lens informed by media archaeology, new materialisms, feminist, postcolonial, and decolonial theory.

Her scholarship focuses on the histories of women, art, design and technology, feminisms, media archeology and networks of artistic exchange with a specific focus on the Americas. Dr. Aceves Sepúlveda is the author of Women Made Visible: Feminist Art and Media in post-1968 Mexico (University of Nebraska Press, 2019) and several peer-reviewed articles, book chapters, and research-creation projects on feminist media art. Currently, she is working on a book manuscript tentatively titled Weaving the Electric Wave: Avant-Garde composers in Latin America, which explores the work of four composers working at the intersections of visual and sound art to suggest an alternative history of electronic music and twentieth-century avant-gardes. She is also co-editing a book on Latin American Art in Canada. Her video and sculptural installations that explore the body as a site of cultural and gender inscriptions have been exhibited in Canada, Mexico, France, India, and Chile.