With over 15 years of experience creating and art directing environments for feature films, episodic and commercials, Jon Green brings a level of expertise and creativity to every project. Continually striving to develop the most effective ways of delivering photoreal environments, Jon has played an integral role in adopting the latest software and techniques and incorporating them into his team’s workflow.

More recently, Jon has stepped into the role of CG Supervisor on a number of projects including the HBO series “Perry Mason” and Tencent's "Call of Duty: Mobile.” Currently, Jon is working as CG Supervisor on the sequel to an upcoming Netflix film. Throughout his career, Jon has contributed to over 25 feature films, including award-nominated environment work on “Spider-Man: No Way Home,” “Zodiac,” “Tron,” “2012,” “Oblivion,” and “Beauty and the Beast.”

Jon received an MFA in Visual Effects from the Academy of Art University, San Francisco and began his career as a Matte Painter at Matte World Digital, where he worked alongside industry legends and learned the art of environment design and composition. His matte paintings for New Line’s“The Golden Compass” were showcased in Cinefex Magazine, as well as his artwork from “Tron” and “Oblivion.”

Jon’s creative and technical talents and collaborative approach have made him a natural leader, and he continues to mentor and train visual effects artists today. Based out of Digital Domain's Los Angeles Studio, Jon is part of a large group of seasoned visual effects experts known for their craft and eye for quality